tag:blogger.com,1999:blog-19111384.post8886842035784564319..comments2024-03-24T17:06:47.135-04:00Comments on Story Bones: Tell them a hookah smoking caterpillar has given you the callSteve Buchheithttp://www.blogger.com/profile/12999709767641212586noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-19111384.post-1223464397368559042011-07-26T22:16:21.119-04:002011-07-26T22:16:21.119-04:00Eric, it used to be a sign of skill as to both how...Eric, it used to be a sign of skill as to both how well or faithfully you could render a song, and then do the same song in your own style. When I was playing the song of choice was "Stairway to Heaven". I could probably still play that song in my sleep.Steve Buchheithttps://www.blogger.com/profile/12999709767641212586noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-12823154219346308782011-07-26T11:48:13.954-04:002011-07-26T11:48:13.954-04:00I saw Welch and Rawlings live several years ago; R...I saw Welch and Rawlings live several years ago; Rawlings is one of the best guitar players I've ever seen live, and I've been privileged to see some pretty damn good guitarists over the years. And Welch, of course, is phenomenal.<br /><br />-----<br /><br />One of the worst pieces of fallout from '60s musical pop culture was that the emphasis on "authenticity" and "originality" led to a discarding of the idea of the Popular Songbook and a general disparagement of the idea of performing covers to the point that the idea of "standards" went out the window. We lost more than we gained with that, when it became the norm for musicians to play their own songs.<br /><br />There's an irony to that transition, because bands who focused on originals and turned their backs on music history were largely trying to emulate three of the greatest cover acts in rock/pop history: Dylan, The Beatles and The Stones. The Beatles, in particular, became avatars of novelty despite the fact that they cut their teeth rendering covers of Carl Perkins, Chuck Berry and the Isley Brothers that ranged from excellent to <i>simply transformative</i>. Dylan, meanwhile, spent a chunk of his early career as Woody Guthrie's unofficial apprentice and The Stones, of course, were nearly <i>entirely</i> a cover band until Jagger/Richards displaced Brian Jones' leadership position (and even then, they continued to raid the Blues for material).<br /><br />There's further irony in that notwithstanding the worship of Dylan as an icon of the new originality and new authenticity of the '60s, he quickly and justifiably became one of the most-covered artists of his generation, and in several cases it's the cover versions of Dylan's material that are better-known and more-acclaimed (often justly) than the originals. The obvious illustration, of course, is "All Along The Watchtower", a song written by Dylan but <i>defined</i> by Jimi Hendrix, and every cover that's followed (whether awesome, like Michael Hedges', or merely adequate, like U2's) has been judged in comparison to Hendrix's take--Dylan might as well not even be the author of it.<br /><br />There are a lot of reasons this has been a net loss to rock and roll. Probably the biggest is that there seem to be few artists who show the interpretive finesse that's a hallmark, for instance, of jazz and classical musicians, where performers aren't just judged by their originals, but also by what they can bring to one of the standards (or any existing piece, for that matter). Covers remain the way most musicians learn to play, and they remain something of a goof to be trotted out for live shows, but relatively few rockers seem willing (or able) to show off their taste, knowledge and appreciation of history the way a classical conductor, jazz bandleader or hip-hop producer is willing <i>and</i> able to.<br /><br />For perspective on what can be gained: one of the things that makes David Bowie <i>magnificent</i> and not merely great is that he isn't just a talented songwriter (those are a dime a dozen), but that throughout his career he's been willing to show off his chops and versatile tastes by recording an often eccentric catalogue of music he obviously digs and making those songs sound like <i>David Bowie</i> songs (in much the same way we think of a song as a <i>Frank Sinatra</i> song although he wasn't a writer): Bowie's catalogue thankfully includes songs by Springsteen, Syd Barrett, The Pixies, Jonathan Richman, and others, in moods ranging from jazz to post-punk.<br /><br />I imagine I could go on quite a bit like this. I used to hew to the cult of originality myself (possibly because I can't play worth a shit, heh). These days, I wish there were more of them; <a href="http://en.wikipedia.org/wiki/Sturgeon%27s_Law" rel="nofollow">90% would suck, no doubt</a>, but bless the 10% for keeping pop culture vital.Erichttps://www.blogger.com/profile/18275812152895151542noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-1586707418406894262011-07-26T09:55:45.747-04:002011-07-26T09:55:45.747-04:00Just went and listened. I think I like JC's ta...Just went and listened. I think I like JC's take better (and he only changed a few of the words). <br /><br />There's something about his hands shaking as he pours the wine compared to the assurity with which he plays at the beginning. I know the real cause of that, but there's something about how his hands on the guitar are divine, and his hands to the wine are those of an old man.<br /><br />I also like how Johnny's rendition metas the song from a tale of drug use to a tale of life's journey.Steve Buchheithttps://www.blogger.com/profile/12999709767641212586noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-91949511523844831902011-07-26T09:36:47.517-04:002011-07-26T09:36:47.517-04:00I only brought it up in the first place because it...I only brought it up in the first place because it's such an unlikely juxtaposition, and such a phenomenal cover. <br /><br />If you haven't heard it, it's on YouTube, and the video is also excellent.Phialahttps://www.blogger.com/profile/05604909119508288912noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-13676890690069376782011-07-26T08:45:49.098-04:002011-07-26T08:45:49.098-04:00Phiala, my bad for commenting to quickly before ch...Phiala, my bad for commenting to quickly before checking.Steve Buchheithttps://www.blogger.com/profile/12999709767641212586noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-12837329540018935732011-07-26T06:11:32.877-04:002011-07-26T06:11:32.877-04:00"Hurt"? It's a 2002 cover of a 1994 ..."Hurt"? It's a 2002 cover of a 1994 NIN song. That's not contemporary, exactly, but not part of the 50s/60s "everyone doing everyone else's songs" era. Being dead does reduce contemporaneity over time.<br /><br />Cash also did a fabulous Depeche Mode cover.Phialahttps://www.blogger.com/profile/05604909119508288912noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-71673268481954833392011-07-25T22:12:59.495-04:002011-07-25T22:12:59.495-04:00Phiala, well, I was trying to be contemporary, but...Phiala, well, I was trying to be contemporary, but yes. There are lots of covers in the 50s-60s which defined the songs (more than their originals). <br /><br />Nathan, yeah they quickly went towards flash instead of musicianship.Steve Buchheithttps://www.blogger.com/profile/12999709767641212586noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-73920728694415871342011-07-25T17:49:15.343-04:002011-07-25T17:49:15.343-04:00Wow. That's really amazing.
And not to throw...Wow. That's really amazing.<br /><br />And not to throw negatives, but it's a huge reminder of why I <em>so</em> despised everything "Jefferson" that came after "Airplane" was done.Nathanhttps://www.blogger.com/profile/00648438549121320566noreply@blogger.comtag:blogger.com,1999:blog-19111384.post-57037903014968508662011-07-25T16:11:47.768-04:002011-07-25T16:11:47.768-04:00Johnny Cash covering "Hurt."Johnny Cash covering "Hurt."Phialahttps://www.blogger.com/profile/05604909119508288912noreply@blogger.com